In Oblivion, the images underscore the cyborg nature of the city. Themes of development as a self-generating, self-replicating force that exists outside of nature are encoded in these photographs, which view Los Angeles as both a specific site and as a more generalized condition. The inversion of tonalities in these works is a simple act that defamiliarizes the images. It also subtly refers to other ways of imaging- like the x-ray, which sees within the structure of an organism or body — or other modes of seeing — like the flickering negative images in an atomic blast, when the shadow world is revealed and released.

Edition limited to 1,000 copies. The 15 aerial photographs of Los Angeles that make up Oblivion are distressingly beautiful, their post-apocalyptic feeling enhanced by reversed-out tones. Maisel shares with us his "shadowland," a place previously unobserved that coexists with its sunstruck version. Introduction by William L. Fox. Hardcover, 12 x 12, 48 pages, 15 duotone plates.
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