Skip to content

Biography

Guanyu Xu's photographic interventions offer an exploration of his complex personal history and identity; born and raised in China, Xu moved to the US in 2014. His work bridges the gap between the personal and political, highlighting the disparities and connections between the two nations, in which his intersectional experience of the US meets his conservative familial experience of China. 

In his recent series, Temporarily Censored Home (2018-2019), Xu covertly created intricately layered photographic installations in his parents’ home in Beijing, queering the normativity of this heterosexual space. By inserting a vast array of both made and collected photographs, including images from family albums, adverts and editorials he collected as a teen, and portraits of himself and other gay men, Xu reclaims his home as a queer space of freedom and rebellion. In some rooms, photographs of varying sizes cover every visible inch, while in others oversized prints are draped over pieces of furniture or hanging from the ceiling. Doorways and windows are replaced with photographs to create dizzying perspectives in which the viewer is led to wonder what is real and what is not. These juxtapositions collapse space and time, pointing to the relationship between individual freedom and global political governance while aiming to dissolve the borders of opposition.

徐冠宇 Guanyu Xu (b.1993 Beijing) is an artist currently based in Chicago and Beijing. Influenced by the production of hegemonic ideology in American visual culture and his upbringing in Beijing, his practice extends from examining the production of power in image culture to the question of personal freedom and its relationship to political regimes. Xu negotiates this from his perspective as a Chinese gay man and an immigrant in the US. In his work, he migrates between mediums like photography, new media, and installation. These movements operate similarly to his displaced and fractured identity. In Xu's art practice, he strives to understand the politics between the U.S. and China, on both personal and transnational levels. Xu proposes a transnational position for viewers to examine and negotiate the interconnected oppressions in this contemporary moment of supposed freedom.

He is the recipient of the Chicago DCASE Artist Grant, CENTER Development Grant, Hyéres International Festival Prize, PHOTOFAIRS Shanghai Exposure Award, Philadelphia Photo Arts Center Annual Competition, and Kodak Film Photo Award. He has received artist residencies including ACRE (Steuben, WI), Light Work (Syracuse, NY), Latitude (Chicago, IL), Pioneer Works (New York, NY), and Swatch Art Peace Hotel (Shanghai, China).

His works have been exhibited and screened internationally including the Harvard Art Museums, Cambridge; International Center of Photography, New York; Museum of Contemporary Art, Chicago; New Orlean Museum of Art, New Orleans; Museum of Fine Arts, Houston; San Francisco Museum of Modern Art, San Francisco; UCCA Center for Contemporary Art, Beijing; Fotomuseum Winterthur, Switzerland; 36th Kasseler Dokfest, Germany, and others. His work can be found in public collections including San Francisco Museum of Modern Art, the Museum of Fine Arts, Houston, Cantor Arts Center at Stanford University, Madison Museum of Contemporary Art, Harvard Art Museums, Museum of Contemporary Photography Chicago, New Orleans Museum of Art, among others. His works have been featured in numerous publications including The New York Times, Phaidon, Thames & Hudson, ArtAsiaPacific, The New Yorker, Harper's Magazine, Dazed, and China Photographic Publishing House.

Videos

Back To Top